Faculty & Staff

CQP 2020  ♦  50th Anniversary Season

Faculty are members of, or faculty at:

Fredonia, 1st session
Bergonzi Quartet,  Cornell, The Eastman School, The Frost School , Wilfrid Laurier University, Mannes School. Ying Quartet

Fredonia, 2nd session
 Chilingerian Quartet, Arizona State University, Carnegie Mellon University, The Frost School, McGill University, San Antonio Symphony (principal), University of Texas at San Antonio, Hartt College. Longy School 

The Frost School, University of British Columbia,  University of Denver, University of Oregon, University of Victoria, Boise Philharmonic (titled), Colorado Symphony (principal), Oregon Symphony (principal),  Lafayette String Quartet

JOEL BELGIQUE (4th year) (Viola) found his voice at age 13, when he switched from violin to viola. Born in Lansing, Michigan, and raised in Salt Lake City by French parents, he began studying viola with Mikhail Boguslavsky and David Holland. Later, Joël attended The Eastman School, and earned a B.M. from the Cleveland Institute of Music, where he studied with Heidi Castleman. At Brigham Young University, Joël worked with Clyn Barrus and David Dalton, earning an M.M. in Performance and Pedagogy. Principal viola of the Oregon Symphony since 1997, Joël has appeared as soloist with the orchestra in works by Bach, Telemann, Mozart, Berlioz, Strauss, and Hindemith. The Classical Beaver’s 2011 review of the Symphony’s performance oHindemith’s Trauermusik singled out Joël’s “trusty viola oozing mournful warmth and buttery sound.” As a chamber musician, Joël has performed with Elmar Oliveira, Leonard Pennario, Igor Gruppman, and Bayla Keyes, among others. For 14 years, he has also been a member of fEARnoMUSIC. Joël spends his summers teaching and coaching at the Interlochen Chamber Music Camp for Adults in upstate Michigan, and has performed at a number of summer festivals, including the Spoleto (Italy), Mainly Mozart, Grand Teton, Strings, and Colorado music festivals. Joël’s recordings on the North Pacific Music label include Jack Gabel’s Hellenic Triptych for solo viola and electronics, and Tomas Svoboda’s Trio Chorales for violin, viola, and piano. With fEARnoMUSIC, Joël has recorded works of Bonnie Miksch, including the premiere of a commissioned duet, Somewhere like you, my darling, for Joël and his wife, violinist Inés Voglar. In 2011, Joël released his first solo CD, “Mid-Century Modern,” which features sonatas by Clarke, Bauer, Avshalomov, and Svoboda. Joël has also frequently performed and recorded with Pink Martini, appearing with them at Carnegie Hall, Disney Hall, the Hollywood Bowl, and on “Late Night with David Letterman.”

LAURA BOSSERT (85-9, 93W) (32nd year) (Chamber, Violin)
A Silver Medalist in the Henryk Szeryng International Violin Competition, she has earned recognition for her artistry as a soloist, chamber musician, teacher, and children’s music specialist.  Ms Bossert has appeared in collaboration with the Muir String Quartet; the Amelia, Raphael and Mirecourt Trios; and Lincoln Center Chamber Music Society members Joseph Silverstein, Paul Neubauer, Kim Kashkashian, David Jolley, and Joseph Robinson. She has toured with jazz musicians David Amram, Chuck Mangione and performed with Emily Sailers of the Indigo Girls.At present, Bossert teaches at Syracuse University, and in the summer months at The Castleman Quartet Program and LYRICAFEST. Ms. Bossert’s eclectic career has included serving as guest concertmaster of the Tucson Symphony and Oklahoma City Philharmonic, being named a Texaco Rising Star by the Caramoor Chamber Music Festival, and recording for major motion pictures.“Music is Everywhere”, a program she co-authored, was awarded an ACMA/Dodge Partnership Grant in 2002, and in the same year LYRICA BOSTON was awarded the Roxbury Highland Charitable Foundation Grant. By the age of 35, Ms. Bossert has placed students in ensembles and positions as varied as the Boston Symphony, the Handel and Haydn Society, Pittsburgh Opera Orchestra, New Haven, Portland Symphonies, Santiago Philharmonic, Mikkkeli Finnish Chamber Orchestra, The Castleman Quartet Program and the Longy School. Her international class consists of students from Russia, Bulgaria, South Africa, Poland, Australia, China, Japan, Canada, Finland, and throughout the United States. Last season’s highlights included concerto appearances with Elmar Oliveira, chamber music collaborations with Nathanial Rosen and Steven Ansell, and master classes at The Eastman School, Louisiana State University and at the Texas Music Educators Association.

ADRIENNE CARAVAN (10th year) (Dean) Ms. Caravan  is the Chair of the Board of the Suzuki Association of the Greater Washington Area, She  received her undergraduate and graduate degrees in music education and violin performance from The Eastman School.  studying violin with Charles Castleman, Camilla Wicks, and  Lynn Blakeslee and music education with Louis Bergonzi. In addition to her master’s degree, she has trained with Ronda Cole, Edmund Sprunger, Tom Wermuth and Linda Fiore in the Suzuki approach. She taught in the public schools as an orchestra director for Greece Central School District in Rochester, NY and Fairfax County, VA.  Currently Ms. Caravan teaches at J. Michael Lunsford Middle School.  She created a Suzuki in the Schools hybrid program with her beginning 6th grade string students and conducts the 7th and 8th grade string ensembles. In one year the string program grew to become the second largest string program in Loudoun County.  Her Tiger and Panther string ensembles have earned superiors at District 16 Orchestra Assessment since the school opened in 2011. Ms. Caravan has a wide variety of experiences in music.  She has composed and performed the original soundtrack for a local Rochester, NY documentary film, Jurs, Edge of Discovery about sculptor and artist Nancy Jurs.  She has performed in big band orchestras for Stevie Wonder, Gary Sinise Foundation at the Kennedy Center, Kevin Spacey, Clay Johnson, Annie Sellick, Wayne Newton, Johnny Mathis, Jeremy Davis and The Fabulous Equinox Orchestra.  She is also the co-director of the Potomac Suzuki Strings Ensemble located in Woodbridge, VA. During the academic year she performs regularly with her piano quartet, The Sforza Ensemble, Fairfax Symphony Orchestra, Manassas Ballet Theatre Orchestra, Manassas Chorale, and the Savannah Philharmonic Orchestra in Savannah, GA.

AMELIA (AMY) CHRISTIAN(96)(3rd year)(Dean)  has been recognized as a soloist, chamber musician, and orchestral musician. She was a member of the former Syracuse Symphony Orchestra and is a founding member and Acting Principal 2nd Violin of Symphoria in Syracuse.  She is also the principal second violin of the Binghamton Philharmonic Orchestra and has recently appeared with the Skaneateles Festival Orchestra and Glimmerglass Opera Orchestra.  Amy has served as concertmaster of Tri-Cities Opera, the Carousel Cities Youth Ballet, Marywood Orchestra, and the BC Pops Orchestra as well as assistant concertmaster of the Catskill Symphony Orchestra. She has appeared as a featured soloist in the Scranton Bach Festival. Also in Scranton, she performed the world premiere of “The Pied Piper of Hamelin” by Richard Wargo and was praised in the for handling the technical hurdles with aplomb. Always having an eclectic flair, she has also recorded CD’s featuring new age and contemporary works.  She is a founding member of the Novo4tet, a string quartet with an avid interest in the performance of standard repertoire juxtaposed with contemporary works. As a part of the Symphoria quartet, she recently took part in the celebration of the anniversary of the Women’s Suffrage movement with several performances of quartets by prominent women composers. Dr. Christian earned her Bachelor of Music degree with Distinguished Professor Franco Gulli at Indiana University, Bloomington. Her Master of Music degree is from The University of Rochester, Eastman School where she studied with Professor Charles Castleman. Her Doctoral degree was conferred by the City University of New York, where she studied in the studio of Daniel Phillips. The subject of her dissertation is the pedagogical techniques of eminent violinist and teacher, Otakar Sevčik.

Amy has a deep passion for teaching as well as performing. She is currently a visiting lecturer on the violin faculty at Cornell University and is on the faculty at SUNY Broome. She has been a faculty member at Binghamton University and was Assistant Professor of Music at Marywood University for over a decade. She conceived and oversaw the String Project at Marywood, an extensive outreach program designed to train undergraduate string teachers and provide string instruction to the underserved youth in the area. Many of her students have received awards and accolades worldwide in both music and other fields of study. 


ALLYSON DAWKINS (74-7) (24th year) (Dean, Viola, Chamber) -Principal Violist of the San Antonio Symphony, has won consistent admiration for her playing as both orchestral soloist and recitalist. Critics have praised the “great sensitivity and intelligence” of her playing, as well as her “full-bodied, velvety tone.” The San Antonio Express-News described her solo performance of Britten’s Lachrymae as “delicate and compelling…with poise, technical security, and in-the-groove freedom.” Of the Ginastera Variaciones concertantes the Express-News said “Top marks go to Allyson Dawkins for a spitfire performance in her demanding solo.”Ms. Dawkins is on the faculty of Trinity University and the University of Texas at San Antonio, and is highly sought after and widely respected as a private teacher. She is co-author, with Charles Castleman, of a technical instruction book for viola titled Fingerboard Memory, and co-editor, with Mr. Castleman, of Emanuel Ondricek’s Superior Finger Exercises . She has performed at the Aspen Music Festival, Colorado Music Festival, Grand Teton Music Festival, Victoria Bach Festival, and as Principal Violist of the Peninsula Music Festival in Door County, Wisconsin and the Sunriver Music Festival in Oregon. She is currently a member of the Sun Valley Summer Symphony, in the Sawtooth Mountains of Idaho. A native of Atlanta, Georgia, Ms. Dawkins received a Bachelor of Fine Arts degree from the State University of New York at Purchase, and a Master of Music degree and Performer’s Certificate from The Eastman School. Strongly committed to community service, Ms. Dawkins works with cancer patients at Santa Rosa Children’s Hospital in San Antonio. She is also director of the San Antonio Symphony Caroling Project, a program that takes musicians to area hospitals, hospices, corrcctional institutions, and shelters during the December holiday season.

CSABA ERDELYI (10th year) (Viola, Chamber), born in Hungary, made musical history when, in 1972, he won the prestigious
London Carl Flesch Violin Competition with the viola – the first, and so far, the only time. LionelTertis, who was present at the finals, called Erdélyi “a great ambassador for the viola and for his
country.” The Flesch Prize launched Erdélyi’s international career. He was invited by Joseph Szigeti and Rudolph Serkin to the Marlboro Festival (USA) where he also worked with Pablo Casals.
A viola student of Pál Lukács and subsequently Yehudi Menuhin and Bruno Giuranna, Erdélyibecame Menuhin’s partner in concertos and chamber music, playing together in several countries.Menuhin wrote to Benjamin Britten: “Erdélyi is an invaluable link between the two great musical cultures of Eastern and Western Europe.”
Erdélyi has performed in concerts and recordings with such world-renowned soloists as Rachel Barton, Joshua Bell, Maurice Gendron, Franco Gulli, Ian Hobson, Yo-Yo Ma, George Malcolm, Jessye
Norman, András Schiff, Sándor Végh, among others. He was the viola soloist in the film score ofAmadeus, with Sir Neville Marrriner conducting the Academy of St. Martin-in-the-Fields. As a soloist,
he has recorded for Concordance, Decca, Hungaroton, Lyrita, Nimbus and Philips records. He played viola concertos with the leading British orchestras in the Royal Festival Hall and on the BBC
Promenade Concerts, as well as major international music festivals with Sir Colin Davis, Sir Andrew Davis, Sir Charles McKerras, Riccardo Muti, Kurt Sanderling conducting. Erdélyi was principal viola of the Philharmonia Orchestra of London from 1974 to 1978. He was guest principal violist of the BBC Symphony, invited by Gennady Rozhdestvensky. In 1980 Sir Georg Solti invited Erdélyi to the principal viola post in the Chicago Symphony. He declined in order to embark on a new career as the violist of the London-based Chilingirian Quartet, as well as professor of viola at the Guildhall School of Music (1980-1987). As guest violist, he performed with the Pauk-Frankl-Kirshbaum Trio, Fine Arts Quartet, Kocian Quartet, Végh Quartet, Cuarteto Latinoamericano. Professor Erdélyi has a reputation as an extremely dedicated and caring pedagogue, who attracts fine students from all over the world. As Professor of Viola and Chamber Music he taught at Indiana University, Rice University, Butler University, and Bowling Green State University. He has held master classes in major conservatories on all five continents. Professor Erdélyi’s former students can be found in prestigious positions in music performance and education all over the world. For over 20 years Professor Erdélyi has researched the original manuscript of the Bartók Viola Concerto, the composer’s last masterpiece, which was left in its first draft. With the help of world-renowned Bartók scholar, Elliott Antokoletz and composers Péter Eötvös and György Kurtág he restored and orchestrated the work in the purest and most authentic manner. Former violist of the Kolisch-quartet, Eugene Lehner, friend of Bartók, praised Erdélyi’s score and recording as “an invaluable service to Bartók and all violists.” Score and parts are published by Promethean Editions (www.promethean-editions.com) and a CD was recorded in 2001 with Erdélyi and the New ZealandSymphony Orchestra with conductor Marc Taddei on Concordance label (www.concordance.co.nz), which continues to receive worldwide professional acclaim.
In September 2017, Bartók Viola Concerto – Restoration and Orchestration by Csaba Erdélyi, Revised Version 2016 received its European Premiere by the Berlin Philharmonic Orchestra in Berlin
Philharmonic Hall. The orchestra’s Music Director, Sir Simon Rattle wrote: “I am in total agreement with the opinions of György Kurtág and Pierre Boulez that Erdélyi’s score is the most faithful
realization of Bartók’s last masterpiece that was left in draft.”
Csaba Erdélyi considers himself a world citizen and holds citizenships in his native Hungary, Great Britain and the United States. He serves as principal viola of both the Indianapolis Chamber Orchestra and Sinfonia da Camera at the University of Illinois. His favorite instrument is a magnificent viola made for him by master luthier Joseph Curtin in Ann Arbor, Michigan.

FRITZ GEARHART (82) (4thyear) (Chamber)has performed for audiences from coast to coast. He has appeared in major halls around the country including the Kennedy Center, the 92nd Street Y in NYC, Alice Tully Hall, and Weill Recital Hall at Carnegie (six times since 1998). He is heard frequently on National Public Radio, including past live broadcasts on WFMT Chicago, WQXR in New York as well as Public Radio’s nationally syndicated program Performance Today.   Gearhart was a member of the Chester Quartet in the early 90s, the Oregon String Quartet since 1998 and has since recorded numerous compact discs for Albany, Koch Entertainment, Centaur Records and Bridge Records. His  release on Centaur Records, Music of a Lifetime, features the music of his father Livingston Gearhart. An active chamber musician, recitalist, soloist and composer, Mr. Gearhart collaborates with colleagues from around the USA and is embarking on his latest project – The Nexus String Quartet. Currently a faculty member at the University of Oregon School of Music, Gearhart has taught at the university level since 1990, including previous appointments at East Carolina University and Indiana University at South Bend. Gearhart has been a featured clinician at music conventions and workshops for National Association for Music Education (NAfME) Conference, American String Teachers Association (ASTA), and National School Orchestra Association (NSOA), and has presented master classes at music schools all around the country, including Texas Christian University, Boise State University, Ithaca College, University of Oklahoma, The Eastman School, and the Hartt School, among many others. He is a frequent adjudicator, and was a judge for the National Fischoff Competition in 2008. Gearhart has been a featured clinician at several national conventions including ASTA in Detroit, Kansas City and Santa Clara, CA where he was also the featured chamber music coach. In addition to his many performing and teaching activities, Gearhart has also appeared as a guest conductor several string festivals around the country, including South Carolina All-State String Orchestra, Northern Virginia Honors Orchestra, Wyoming String Clinic, and All-City Strings in Salem, OR. Gearhart is currently on the summer faculty of the Marrowstone Music Festival in Bellingham Washington, and the Chamber Music Camp of Portland.  Gearhart received his Master’s Degree and prestigious Performer’s Certificate from The Eastman School where he studied with Donald Weilerstein. Earlier studies at the Hartt School included work with Charles Treger and members of the Emerson Quartet. Gearhart recently directed a ten-week study abroad program in Vienna, where he taught violin and chamber music, lectured about Viennese composers, and performed concerts in Austria and Germany including the famous Haydnhaus-Wien.

YEHUDA HANANI (2nd year) (Cello, Chamber Music)  is an international soloist, recording artist, IsraeliAmerican cellist and Professor of Violoncello at Mannes. He studied with Leonard Rose at Juilliard and with Pablo Casals. He has performed with the Chicago, Baltimore, BBC Welsh, Irish National, Berlin Radio, Honolulu, Jerusalem and Seoul  Symphony Orchestras; Philadelphia Orchestra,   Saint Paul Chamber Orchestra; the Israel , Buenos Aires and Belgrade Philharmonics, and I Solisti Zagreb (conducting from the cello). In New York City, he has performed at Carnegie Hall, the 92nd Street Y, Alice Tully, and the Metropolitan Museum of Art. He is a frequent guest at major music festivals (Aspen, Bowdoin, Chautauqua, Yale at Norfolk, Blue Hill, Great Wall in Beijing, Great Lakes, Round Top, Casals Prades in France, Finland Festival, Ottawa, Oslo, Prague, and Australia Chamber Music).  Highly regarded as a teacher who has inspired a generation of young cellists with his consummate musicianship and originality, he also served on the faculty of the Peabody Conservatory and presents master classes around the globe (Juilliard, Paris Conservatoire, Hochschule fur Musik and Hanns Eisler Hoschschule in Berlin, Hochschule fur Musik Cologne, Royal Academy of Music and Guildhall in London, Royal Welsh Academy of Music and Drama, Tokyo National University, Taiwan National College of Arts, Utrecht Conservatory, University of Indiana at Bloomington, McGill University, Jerusalem Academy, University of Mexico City, University of Texas at Houston, Bard, and Arizona State University). In 2008 through 2010 he had residencies at the Shanghai, Beijing and Tianjin Central Conservatories in China. He is especially sought after as an interpreter and elucidator of the music of Johann Sebastian Bach, and his recording of the six suites (Townhall Records) has been critically hailed for its personal relationship with the score. From 1995-2007 he directed the International Bach”Annalia” Festival at the University of Cincinnati. He was the first cellist in the West to record the sonatas of Nikolai Miaskovsky (Finnadar) and won a Grand Prix du Disque nomination for his pioneering recording of the Alkan Sonate de concert in E major. He has similarly championed composers such as Leo Ornstein, Virgil Thomson, and William Schuman with performances and recordings of their works and has been credited with helping to rediscover the life and works of Mendelssohn student Eduard Franck, whose chamber music he has recorded (NAXOS) with violinist Shmuel Ashkenasi and pianist James Tocco. He has also been at the forefront of thematic programming and has directed the innovative chamber music series Close Encounters With Music, based in the Berkshires, since 1990 in cities across the U.S. and Canada. Major composers who have written works for him include: Lera Auerbach, Robert Beaser, Kenji Bunch, Osvaldo Golijov, Jonathan Keren, Owen Leech, Jorge Martin, John Musto, William Perry, Bernard Rands, and Paul Schoenfield. Yehuda Hanani  has been a contributor to Chamber Music Magazine, Strings, and Strad, and has presented over 200 original lectures on music and culture, including appearances at museums: Metropolitan Museum of Art, Detroit Museum of Art, Phoenix Art Museum, Norman Rockwell Museum, Berkshire Museum, Frick Collection, and the Joslyn Art Museum. Aimed at outreach for classical music, his weekly program on NPR affiliate station WAMC Northeast Radio, “Classical Music According to Yehuda,” has gained thousands of fans for the direct broadcast and podcast. An addition to his educational mission is the founding in 2010 of the Catskill High Peaks Festival in Hunter, NY. Born in Jerusalem, Hanani was brought to the United States from Israel by Leonard Bernstein and Isaac Stern at the age of 19.  

KYOKO HASHIMOTO (18th year) (Collaborative Piano)                            A legendary pianist and a teacher, Gyögy Sebök described Kyoko Hashimoto “extraordinary musical talent” “one of the finest of her generation”. Kyoko Hashimoto was born in Tokyo and began to study the piano at the age of three.  After graduating from the TohoGakuen School of Music in Tokyo, she studied at the International Menuhin Music Academy, Indiana University and the Juilliard School.  She received full scholarships from the Menuhin Academy and the Juilliard School.  Among her teachers were György Sebök,  Menahem Pressler, György Janzer, William Masselos, György Sandor, Felix Galimir, György Kurtág and Ferenc Rados.She regularly has been performing throughout the world, in more than 25 countries, including many major cities and halls such as the Wigmore Hall in London, the Lincoln Center and the Carnegie Hall in New York, the Kennedy Center in Washington D.C., Concertgebouw in Amsterdam, etc.  She has been invited to many important festivals including the Prague Spring Festival, the Lockenhaus Chamber Music Festival, the Kuhmo Chamber Music Festival, the Pacific Music Festival and the Saito Kinen Festival. Besides performing Solo recitals in many countries in Europe, North America and Asia, she has performed Concertos with  such distinguished orchestras as the Prague Chamber Philharmonic Orchestra and the Belgrade Philharmonic Orchestra. She has performed over 1000 works from pre-Baroque to Contemporary. She has performed on Harpsichord and  Fortepiano. She has performed duo recitals with Ruggiero Ricci(Vn), Thomas Zehetmair(Vn) and Antonio Meneses(Vc), and duo and chamber music concerts with Sandor Vegh(Vn), Mischa Maisky(Vc), Jean-Jacque Kantorow(Vn), Aaron Rosand(Vn), Ralph Kirshbaum(Vc), Steven Isserlis(Vc), András Adorján(Fl), Patrick Gallois(Fl),Maurice Bourgue(Ob), Hansjörg Schellenberger(Ob), Barry Tuckwell(Hr), Atar Arad(Va), Anthony Marwood(Vn), Nobuko Imai(Va) Sergio Azzolini(Fg), Isabelle van Keulen(Vn), Chantal Juillet(Vn), Hermann Baumann(Hr), Regis Pasquier(Vn), Matt Haimovitz(Vc), Charles Castleman(Vn) and Bruno  Giuranna(Va). Ms. Hashimoto was awarded 1st grand prize and the public prize at the Concours International de Musique Française, the top prize at the Concours Musical de France, and special prizes at the Budapest International Music Competition and at the Spohr International Competition.  She has recorded for TV and radio worldwide including a series of 20 works by Beethoven for Dutch radio.  She has been a frequent performer for CBC (Canada) and BBC (UK) and in 2012, the BBC “Schubert Marathon” grouped her  with Edwin Fischer, William Kapell and Wilhelm Backhaus as representative performances of the Schubert Impromptus.  She has made more than a dozen CD-recordings, including the early piano pieces (all the Preludes+4 pieces) by Messiaen, 34 piano pieces by Schumann, 24 Preludes by Scriabin combined with 24 Preludes by Shostakovich, 4 Impromptus by Schubert, 12 Preludes Book II by Debussy as well as Partita by Bach, variations by Beethoven, 16 Waltzes by Brahms, Dance Suite by Bartók and Mazurkas by Blumenfeld. She is Professor of Piano and Chair of the Piano Area at McGill University in Montreal, Canada, and was on the piano faculty and the chamber music faculty of the Utrecht Conservatory in Holland for 12 years.  She has been invited many times as a visiting professor at the European Mozart Academy in Poland and in the Czech Republic and at the International Chamber Music Academy in the Czech Republic, as well as at the Guildhall School of Music and Drama and the Trinity College in London U.K.. She served as an International Jury member for the Gina Bachauer International Piano Artists Competition, CMC Stepping Stone Competition, Montreal International Piano Competition and YAMAHA Benelux Competition. She has been the Artistic Director of the International Music Workshop and Festival (IMWF) in the Czech Republic, Germany and in Portugal since 2004. She has also given master classes in France, Austria, Switzerland, Canada, the Czech Republic, the U.S.A., Holland, Germany, Taiwan, Brazil and Japan.

ROSS HARBAUGH(4th year)(Cello, Chamber) is Professor of Cello at the FROST SCHOOL, and cellist of the Bergonzi String Quartet. As a founding member of the New World Quartet, Professor Harbaugh won the Naumburg Prize, a Prix du Disque, and recorded 20 records and CD’s for the Vox, MCI Classic and IMP Masters, CRI, Centaur, Fleur de Son, and Musical Heritage labels. Professor Harbaugh has performed throughout Europe and the United States, including concerts at such prestigious venues as the Kennedy Center, Alice Tully Hall, and Wigmore Hall in London, and has appeard in concert with such renowned artists as Leonard Rose, William Preucil, Richard Goode, Jeffrey Kahane, Raphael Hillyer, Joel Krosnick, Jerome Rose, Gil Kalish, and the Guarneri Quartet.  He has soloed with the Atlanta Symphony, Cincinnati and Toledo Symphonies, among many others, and appears nationally in recital each year.  He was Principal Cellist of the Grand Rapids and Toledo Symphonies, and has performed under direction of Erich Leinsdorf and Max Rudolf.  In the pop world, he has appeared on recordings with Michael Jackson and Busta Rhymes. Professor Harbaugh’s distinguished teachers include Janos Starker and Leonard Rose in the United States, and Andre Navarra at the Paris Conservatory. He also took chamber music study with the Juilliard Quartet. His teaching experience includes stints at Harvard University, University of Michigan, and Interlochen, with master classes at Yale and Brown Universities. Mr. Harbaugh presents workshops in ensemble communication, Tai Chi for Cello, and gives cello workshops throughout the country at such venues as the 7th American Cello Congress Tempe, the Tennessee Cello Workshop, and the ASTA National Convention this year. He has authored numerous articles for American String Teacher and The Strad, and appears regularly on National Public Radio. His students are prize winners in numerous musical competitions, including “From the Top.” They hold positions in respected orchestras, schools of music, and chamber ensembles. Professor Harbaugh has also served as a judge for the Fischoff Chamber music Competition and the Stulberg Competition, and the Fulbright Competition for Graduate Study Abroad. He performs and teaches in numerous summer festivals including Cabrillo, Interlochen, Madeline Island, Pine Mountain, Hamden-Sydney, the ORFEO Music Festival in Vipiteno, Italy, and the Margess Institute in Switzerland. This summer he will be teaching and performing at the Blue Ridge Chamber Music Festival, the Pine Mountain Music Festival, Interlochen National Music Camp and the Castleman Quartet Program in Fredonia, NY. He is recording the Chopin Sonata and performing the Saint-Saens Cello Concerto on tour in Florida.

DAVID HARDING (2nd year) (Viola, Chamber) has an extensive solo and chamber music career, having performed throughout Europe, the United States, Canada, Central America and Australia, in such renowned venues as Berlin’s Philharmonie, the Beethovenhaus in Bonn, Amsterdam’s Concertgebouw, and New York’s 92nd Street Y and Metropolitan Museum of Art. Noted for his “eloquent viola playing” (The Scotsman), David has performed at music festivals around the world, including the Edinburgh International Festival, Ottawa International Chamber Music Festival, Seattle Chamber Music Society, Sitka Chamber Music Festival, Australian Festival of Chamber Music, and Philip Glass’ “Days and Nights Festival” in Big Sur, California. David’s career has involved collaborations with leading instrumentalists and ensembles such as the Pacifica, Shanghai, Cypress, Dover, Fine Arts and Miro Quartets as well as the Gryphon Trio. David was formerly a member of the Toronto String Quartet and the Chester String Quartet  (“one of the country’s best and brightest young string quartets,” — Boston Globe) as well as the Canadian string trio “Triskelion.” With his wife, flutist Lorna McGhee and harpist, Heidi Krutzen, David is a member of Trio Verlaine.

David’s live performances have been broadcast on CBC Radio (Canada), BBC Radio 3 (UK), NPR’s ‘Performance Today’ (USA), ABC (Australia) and Deutschland Radio. David has recorded two CDs with Trio Verlaine; “ Fin de Siècle, the music of Debussy and Ravel”  (noted by the Vancouver Sun for “ravishing playing”) and “Six Departures” featuring works by Bax and Jolivet alongside new commissions by R. Murray Schafer and Jeffery Cotton. Upon release, “Six Departures” was chosen to be CBC Radio’s ‘Classical CD of the Week.’ Other notable recording projects include Philip Glass’ String Sextet and Schoenberg’s “Verklärte Nacht” on Orange Mountain Records, Bach’s “Goldberg Variations” with the string trio Triskelion for CBC records, the music of Aaron Jay Kernis with the Chester Quartet, and Brahms’ Viola Sonatas with pianist Phillip Bush for Skylark Music.

In addition to performing the core chamber music literature, David enjoys working closely with composers on new commissions and has helped to expand the repertoire for viola with four solo commissions, and five chamber music commissions to date. In collaboration with Philip Glass, he has worked on interdisciplinary projects with poets Jerry Quickley, Mike Garry, and kora player, Foday Musa Suso. David has worked alongside rock musicians in studio sessions, and arranged the string tracks for the Juno-winning, Grammy-nominated album “Mad Mad World” by Tom Cochrane. Prior to joining the Chester Quartet and embarking on a chamber music career, David was Assistant Principal Viola of the Canadian Opera Company, and performed and recorded with renowned early music ensemble, Tafelmusik.The depth of David’s musical experience and knowledge make him perfectly placed to help the next generation of musicians. As a devoted and sought-after teacher, David is currently Professor of Viola and Chamber Music at Carnegie Mellon University, Pittsburgh. He has given masterclasses throughout North America, at institutions such as the University of Michigan, Oberlin Conservatory, Glenn Gould School at the Royal Conservatory of Music, Toronto, Banff Centre for the Arts and Creativity.  David was formerly Associate Professor of Viola at the University of British Columbia, and with the Chester String Quartet,  “Ensemble in Residence” at Indiana University South Bend.  A graduate of the Juilliard School of Music and winner of the Sir John Barbirolli Award at the Lionel Tertis International Viola Competition, David’s primary teachers were Tibor Vaghy, Paul Doktor and Emmanuel Vardi. He performs on violas made by Nicolas Gilles, Montpellier, France and Pietro Antonio Della Costa, Treviso, Italy.

TERRY KING (22nd year) (Cello, Chamber) protege of Gregor Piatigorsky, a former assistant in the celebrated master classes at the University of Southern California who was privileged to have joined his teacher in one of his last concerts, a duo recital. Mr. King is not only a unique cellist, but a scholar, chamber musician and conductor. He collaborated with Carole King on her Grammy Award-winning album “Tapestry” and was solo cellist for the movie “The French Lieutenant’s Woman.” He has been a member of two world-class piano trios, the Mirecourt and the International. His repertoire features both classic works and also previously unknown gems discovered by him. Many prominent American composers have written works for him and entrusted to him their premieres, including Roy Harris, Virgil Thomson, Halsey Stevens, Paul Reale, Paul Creston, Miklos Rozsa, Lou Harrison, Lukas Foss, and Otto Luening.  Mr. King is presently engaged in a recording project of standard and American works for cello on Music and Arts. His recording of the complete Mendelssohn works for cello was praised in Fanfare, “..of all versions this is the most consistently thought out and expressively realized…intensely poetic.” and was the preferred recording mentioned on the nationally syndicated radio program, “First Hearing.” His ground-breaking series “Cello America” has been met with similar praise worldwide. Terry King records for MCA, ABC Classics, CRI, Innova, Genesis, Orion, A&M, Music and Arts, Bay Cities, Gasparo,  and Erasmus Records. He has taught at the San Francisco Conservatory, UC Berkeley, California State University at Fullerton, Grinnell College, and University of Iowa, and is currently on the faculties of the Longy and Hartt Schools. A current member of his studio recently won the Gold Medal at the International Tchaikovsky Cello Competition in Moscow.

THOMAS LANDSCHOOT (13th year) (Cello, Chamber) — joined the music faculty of Arizona State University
in 2001 after having taught at the University of Michigan. He performs virtually the entire standard and contemporary repertoires of the cello, and several composers have dedicated new works to him. Mr. Landschoot regularly performs as soloist and in recital in concert halls across Europe, the United States and Japan. Mr. Landschoot holds a Master of Music degree from the Conservatory in Antwerp, Belgium, a Master of Music degree from the University of Michigan, an Artist Diploma from Indiana University and an Artist Diploma (cum laude) from the Conservatory of Maastricht, Netherlands. His major teachers include Erling Blondal Bengtsson, Antonio Meneses and Tsuyoshi Tsutsumi, for whom he served as a teaching assistant. He also enjoys a close relationship with Bernard Greenhouse, the distinguished former cellist of the Beaux Arts Trio. Recipient of the 2005 ‘Distinguished Teaching Award”, he has given master classes at conservatories and universities throughout the United States, Europe and Japan. During the summers he has been on the faculty of the Music Academy of the West in Santa Barbara, the Texas Music Festival in Houston, the Meadowmount School of Music in New York and many others.

 JODI LEVITZ (1st year) (Viola, Chamber) is Professor of Viola at the Frost School of Music at the University of Miami and Artistic Director of Stamps Ensembles. The 2011 recipient of the Sarlo Family Foundation Award for Excellence in Teaching. she is an active performer of international reputation and a passionate advocate of new music for viola. She was principal viola and soloist with the Italian chamber group I Solisti Veneti for 12 years, a position she won while still a student at The Juilliard School. She has performed as soloist throughout Europe, South America, North America and Asia, and recorded works for the Concerto, Dynamic, Naxos and Erato labels. A passionate pedagogue, she served on the faculties of the Ars Musica Academy at Imola, Progetto Orchestra and numerous European summer festivals, and presently serves as co-artistic director  of the Zephyr International Chamber Music Festival in Courmayeur, Italy. Her former students have won first prize awards in the Walter W. Naumburg and Fischoff chamber music competitions, hold positions in major orchestras and teaching institutions, and are musical activists throughout the world. Levitz attended The Juilliard School Pre-College Division from age 12 and received a B.M. and M.M. from Juilliard. Her principal teachers were Margaret Pardee, Paul Doktor, William Lincer and Dorothy DeLay, and she studied chamber music with members of the  Juilliard Quartet, Felix Galimir and Josef Gingold. Professor of Viola and Chamber Music, Chair of Chamber Music and Chair of Strings San Francisco Conservatory of Music from 2001-2017, she also served on the board of the San Francisco Friends of Chamber Music and is the former violist of the Ives Quartet.

KATIE SCHLAIKJER (91,93) (5th year)(Chamber I received my Doctoral and Master’s degrees from Stony Brook University and Bachelor’s degree from the New England Conservatory with teachers Timothy Eddy and Laurence Lesser. I joined the Penderecki String Quartet and the faculty of Wilfrid Laurier University in 2013.I have performed throughout the United States, Canada, England, Australia and Israel and am a former member of the Colorado String Quartet (2009-2013). Performance venues with the Colorado Quartet included Symphony Space (NY) and The Kennedy Center along with cycles of the complete Beethoven and Bartok Quartets.

As a former member of the Avalon Quartet, I received top prizes from the Concert Artist Guild (NY), the 1999 Melbourne International Chamber Music Competition and the 1998 Banff International String Quartet Competition.

My recent solo engagements have included a premiere of J Mark Scearce’s cello concerto “Aracana” and Haydn’s D major cello concerto with the Wuhan Symphony Orchestra in China. 

I have performed at the Ravinia, Tanglewood, Aspen and Caramoor festivals, collaborated with Claude Frank, Roger Tapping and Peter Wiley and recorded for Albany Records. 

I taught cello at the University of Connecticut from 2010-2013 while maintaining a private teaching studio in Stony Brook, NY for 7 years. I have also taught cello at the Hartt Music School, Bard Conservatory’s Preparatory music program, coached chamber music at New England Conservatory’s Extension Division, Stony Brook University’s pre-college program,and at the Colorado Quartet’s intensive summer quartet institute, Soundfest.

SHARON STANIS (2nd year)(Chamber)has a multi-faceted career as a chamber musician, soloist, and educator. As a co-founder of the Lafayette String Quartet, she has toured extensively in North America and Europe. The quartet garnered prizes from the Fischoff Chamber Music Competition and the Portsmouth (England) International String Quartet Competition.Ms. Stanis has appeared as soloist with the Victoria Symphony and the Palm Court Orchestra, and has served as concertmaster of these orchestras. At Basses Loaded IV, Ms. Stanis performed the Bottesini Grand Duo with Gary Karr. In addition to being a member of the Galiano and Aventa Ensembles, she has performed on the Eine Kleine Summer Music Series.

A dedicated and enthusiastic teacher, Ms. Stanis is an Artist-in-Residence at the University of Victoria, where she teaches violin and coaches chamber music. She adjudicates numerous festivals across Canada, enjoys giving master classes throughout North America, and has coached the violinists of the Victoria Youth Orchestra. While pursuing her graduate degree, she served as an associate instructor in the music history department at Indiana University.

Before coming to Victoria, Ms. Stanis was a member of the Renaissance City Chamber Players in Detroit. She was a faculty member at Oakland University and an Artist-in-Residence at the Institute of Music and Dance in Detroit.

Originally from Cleveland, Ohio, Ms. Stanis studied with Linda and David Cerone, Gary Kosloski, Henryk Kowalski, and Peter Salaff. She received her BM and MM from Indiana University, where she coached with Rostislav Dubinsky who was integral in the formation of the Lafayette String Quartet. Other coaches include members of the Cleveland, Alban Berg, and Amadeus Quartets.

In addition to the seven compact discs recorded with the Lafayette Quartet, Ms. Stanis has recorded the Murray Adaskin Second Violin Sonata, the John Mills-Cockell Concerto of Deliverance, and the soundtrack of Criminal Acts by Tobin Stokes. She is the violinist in the theme music from the television show Bob and Margaret, composed by Patrick Godfrey. Recently, Ms. Stanis participated in the recording of Raffi Cavoukian’s song, “Letter to a Nation”.

GEORGE TAYLOR (10th year) (Viola, Chamber) – is active in practically every aspect of performance as soloist, recitalist and chamber musician. Mr. Taylor is currently Associate Professor of Viola at The Eastman School. Before joining the Eastman faculty, he was a member of the Ciompi Quartet of Duke University 1979 through 1986. He has taught at Musicorda, the Encore School for Strings, the Meadowmount School, the Manchester Music Festival and the Elan International Music Festival. He has served as a juror at international competitions in Europe and the United States. George Taylor has given numerous solo recitals and appeared as a chamber musician in concerts throughout the United States and at the Taiwan Cultural Center. He was co-founder and conductor of the St. Stephens Chamber Orchestra (Durham, NC), an ensemble that is still active in performance and recordings. An active advocate for the performance of music by African/American composers, Taylor was a participant in the National Black Arts Festival held in Atlanta, GA. He is a member of the Black Music Repertory Ensemble, which presents music of African/American composers in concerts throughout the country. Mr. Taylor has performed and premiered works written for him by many composers, including Ron Carter, Noel DaCosta, George Walker, David Liptak and Carmen Moore. A native of New York City, Mr. Taylor attended the Manhattan School where his teachers included Jaime Laredo, Raphael Bronstein and Burton Kaplan. Further studies on viola were with Michael Tree and Abraham Skernick. Chamber music studies were with such notables as Arthur Balsam, Joseph Seiger, Lillian Fuchs, Joseph Gingold, Mischa Schneider,and members of the Guarneri Quartet.


BASIL VENDRYES (79-81, 83) (20th year) (Viola, Chamber)  Principal Violist of the Colorado Symphony Orchestra since 1993. He is a former member of the San Francisco Symphony (1982-95), the New York Philharmonic (1984-85) and the Rochester Philharmonic (1979-82). As violist with the Aurora String Quartet (1986-95) Mr. Vendryes performed in New York, London and Tokyo. He currently is on the faculty of the Lamont School of the University of Denver, where he teaches both viola and chamber music. Mr. Vendryes has taught at the San Francisco Conservatory, Summer Music West, and the Raphael Trio Summer Chamber Music workshop. In Denver, he participates in educational programs that bring music to  schools throughout the area. Mr. Vendryes is also the founder/director of the Colorado Young Sinfonia, a chamber orchestra that comprises some of the best young talent in the Denver area. Basil Vendryes was born in 1961 to West Indian parents, and began his musical training in the public schools at the age of eleven. He received scholarships to the Manhattan School and  The Eastman School, where he studied with Sally O’Reilly, Francis Tursi and Heidi Castleman. Mr. Vendryes won prizes in the 1981 American String Teachers Association and 1988 Bruno Giuranna Viola Competitions. He has appeared as soloist with the Colorado, Aurora, Jefferson, Littleton, Lamont Centennial, and Biola Symphonies, Evergreen, Artea and American Chamber Orchestras, Sinfonia San Francisco and the Boulder and  Oakland Youth Symphonies. Festival appearances include Spoleto, Heidelberg, Ouray, Lake Winnepesaukee, Las Vegas, Marin, and the Grand Tetons. He has recorded chamber music for the CRI and Naxos labels. He plays on a fine Italian viola made in 1887 by Carlo Cerruti.

ERIC WILSON (4th year) (Chamber, Cello) Professor of Cello at University of British Columbia,  was awarded the Bronze Medal (1971) in the Geneva International Competition and co-winner of the Morris Loeb Prize for Strings (1973) at the Juilliard School. Eric Wilson was solo cellist of the Ensemble of New York in residence at the Lincoln Centre, New York. He was also a founding member of the Emerson String Quartet that won in 1978 the prestigious Walter W. Naumberg competition Prize for Chamber Ensemble. Wilson has performed with such eminent artists as Menahem Pressler and Walter Trampler and with the Boston Chamber Soloists, New York Chamber Soloists, Lyric Piano Quartet, Quartet Canada, Pro Arte Quartet and the Melos Quartet. As guest artist, Wilson has appeared at the Wolf Trap; Newport (R.I.); Katonah (N.Y.); Banff, Alberta; Scotia; Meadow Brook and Vermont Mozart Festivals among others. With pianist Patricia Hoy, Professor Wilson has performed extensively and received critical acclaim with the release of their CD of Rachmaninov’s Sonata for Cello and Piano and Stephen Chatman’s Sonata for Cello and Piano. In March 2004, Wilson gave a series of masterclasses and recitals in Taiwan including lectures at the National Teacher’s University in Taipei and a recital at the Taiwan National Theatre, also in Taipei.

PHILLIP YING (82,83) (8th year) (Chamber) As violist of the Ying Quartet, he performs regularly across the United States, Europe and Asia. Recent appearances include engagements in New York, Chicago, Los Angeles, Philadelphia, San Francisco, Houston, and Washington, DC, Australia, France, Mexico, and Taiwan among many others. During summers, he has performed at the Marlboro, Seattle, Tanglewood, Caramoor, Norfolk, Aspen, Colorado, Bowdoin, Skaneateles and Montana summer music festivals. He recently won a Grammy award for his work with the Ying and Turtle Island String Quartets, has been previously nominated for a Grammy award for his work with the St. Lawrence String Quartet, and is a recipient of the Naumburg Award for chamber music. Mr. Ying has also been presented numerous times in recital and as a soloist with orchestras such as the Chicago Symphony and the Aspen Festival Chamber Orchestra. With the Ying Quartet, Mr. Ying maintains a vital interest in new music, with recent and planned premieres of works by Chen Yi, Augusta Read Thomas, Michael Torke, Tod Machover, Kevin Puts, Bernard Rands, Ned Rorem, Jennifer Higdon, and Paquito D’Rivera, and is currently pursuing a multi-year commissioning project with the Institute for American Music. He has been recorded by Telarc, Quartz, EMI, Albany and Elektra. In addition to enjoying a highly successful performing career, Mr. Ying is committed to presenting the arts in creative, unexpected and diverse ways. In 1992, he received a two-year grant from the National Endowment for the Arts to promote chamber music in rural Iowa. Since that time, he continues to be involved in many other projects designed to explore expanded performance concepts as well as the educational and community-building potential of classical music in cities and towns across the United States. Recent projects include partnerships with the La Jolla Music Society and Tod Machover using hyperscore technology, a performing residency at Symphony Space in New York City featuring multidisciplinary presentations, and tours and recordings with the Turtle Island String Quartet.Mr. Ying is an Assistant Professor of Viola and an Associate Professor of Chamber Music at the Eastman School of Music. Since 2001, the Ying Quartet has also been named the Blodgett ensemble in residence at Harvard University. In addition, Mr. Ying currently serves as President of Chamber Music America, a national service organization for chamber music ensembles, presenters and artist managers, and has been published by Chamber Music magazine. He is a frequent speaker, panelist, and outside evaluator on subjects such as arts-in-education and chamber music residencies, and served on the national jury for the 1999 Coming Up Taller Awards. Mr. Ying has also taught at Northwestern University, Interlochen, and the Brevard Music Center. He received his education at Harvard University, the New England Conservatory, and the Eastman School of Music, and has studied principally with Martha Katz, Walter Trampler, and Roland Vamos.
LISA ZWEBEN (72-74,76) (8th year) (Dean)  holds a DMA in viola performance and an MMus in violin performance from the Frost School , University of Miami, and a Bachelor of Fine Arts in violin performance from SUNY-College at Purchase. Her doctoral essay is a catalogue of compositions for viola by US women composers. Following studies with Charles and Heidi Castleman she played in the Royal Opera Orchestra in Ghent, Belgium; and the Naples Philharmonic and the Miami City Ballet in Florida, where she served as Assistant Principal Viola. Lisa served on the faculty of Virginia Tech as an instructor in Women’s Studies and Humanities. At Washington & Lee University in Lexington, Virginia she taught a full studio of violin students and coached chamber music. In addition she served as Assistant Principal Viola of the Roanoke Symphony and Principal Viola of Opera Roanoke. In Portland she teaches violin and viola, privately and at the Community Music Center, conducts an adult string orchestra, works with violin and viola students at Oregon State University, and freelances on both violin and viola.